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#Giant claw game free
If you’ve ever wondered what an Arca vaporwave record would sound like, or Ramona Andra Xavier covers of Jim O’Rourke’s free improvisation suites, then wonder no longer. Still today, there’s nothing out there quite like “DARK WEB ” who better, then, to follow it up?īut “Soft Channel,” his latest release - which arrives soon after his third collaborative record as death’s dynamic shroud.wmv - is everything you’d never known you wanted from a Giant Claw record. So Giant Claw’s take was refreshing, but nothing to write home about in the end.įrankly, I’d been hoping that Rankin’s latest would be a return-to-form record - to his maximalist vaporwave-cum-electro, that is. Conceptually, the classical-via-modern record has been an electronic trope since Wendy Carlos’ groundbreaking “Switched-On Bach,” reinvented by everyone from Oneohtrix Point Never to DJ Tiesto. “Deep Thoughts” was excellent, yes - but mostly Rankin’s knack for high-brow instrumental arrangements carried the record. The denouement was predictably unpredictable. In the wake of 2014’s mind-bending, body-bending “DARK WEB,” all bets were off as to what Orange Milk Records founder Keith Rankin would transmute for his follow-up record. And there we have it: The record we’d needed Giant Claw to produce this whole time.